Juliet Polcsa on Styling ‘The Sopranos’ 25 Years After the Show Changed Everything
The celebrated costume designer talks Tony’s iconic button-ups, the influence of mall brands and the emerging mob wife aesthetic.
On January 10, 1999, one of the most important television shows of all time debuted, ushering in a new Golden Age of Television. The Sopranos established itself as an iconoclast across many categories, but 25 years on there’s one aspect that continues to thrive: the clothing.
From Tony’s infamous bathrobe and Carmela’s French-tipped, décolletage-baring ensembles to Adriana’s iconic catsuit and the tracksuits worn by the men of the mob, these looks not only defined an era, but they continue to serve as inspiration for the next generation. All were brought to life thanks to one woman, costume designer Juliet Polcsa.
James Gandolfini liked those loud shirts because he felt like Tony's laughing on the outside, crying on the inside—the sad clown.
Juliet Polcsa
There was a vagueness about what Tony wore. He could straddle different worlds and also look in charge. You couldn't make fun of his clothes.
Juliet Polcsa