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    Decoding the Visual Language of the ’90s and Early 2000s

    Looking back at the ideas, technological innovations and multidisciplinary creatives that shaped skateboarding’s iconography.

    WRITER: Anthony Pappalardo
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    Subversive graphics. Fisheye video footage. Hand-drawn logos. The skateboarding aesthetics we recognize today originated from a specific time and place: the West Coast of the United States during the late 20th century. A testament to DIY culture, the visual language of skateboarding was borne out of necessity, impulse and imagination. Whether it's the location of a trick, grainy video editing or customized footwear, every choice formed part of a larger optical narrative that has become one of the most inspirational forces in contemporary culture.

    In the early ’90s, the action sports industry—based predominantly in Southern California—shrank, but new technologies emerged, creating a visual push and pull in skateboard graphics. Leaning into repurposed and often subverted corporate logos, album covers and obscure references, skateboarding moved beyond the tropes of the past. With the emergence of slick-bottom decks, photography could be incorporated and sublimated for the first time, opening new visual potential, especially when coupled with artwork made by skaters for skaters.

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    In 2023, Powell Peralta paid tribute to former riders with a series of blacklight decks. Imagery associated with Tony Hawk, Steve Caballero, Rodney Mullen, Lance Mountain, Tommy Guerrero and Mike McGill are expressed across six designs.   

    "Thrasher had ink-heavy paper that got on your fingers. It was more like a zine. Great, rough photos of people like 'Joey McSqueeb,' Gonz at Alcatraz."

    Brian Anderson

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    Mike and Greg Carroll photographed by Bryce Kanights at Embarcadero Plaza in San Francisco in January 1993. Mike co-founded Girl Skateboards with Rick Howard, Spike Jonze and Megan Baltimore, earning a reputation for satirical imagery and experimental video-production techniques.   
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    Mike Carroll shot by Jacob Rosenberg in the summer of 1992 at Embarcadero in San Francisco. The skater, photographer and location would go on to become definitive hallmarks of West Coast skating.   
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    Brian Anderson shot by Gabe Morford on the cover of Thrasher Magazine as 1999's Skater of the Year. Anderson remains a pivotal figure in West Coast skating today, creating the hand-drawn logo for West Coast to the World.   
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    Mike Carroll by Atiba Jefferson for an ad for Carroll's pro Lakai silhouette. Jefferson helped create a new visual language for skating, showcasing the environment through creative shooting and editing techniques.    
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    Mark Gonzales by Atiba Jefferson. The image pairs Gonzales' approach of leveraging urban landscapes to develop new tricks with Jefferson's framing of California topography.   

    Shop Styles Inspired by West Coast Skateboarding